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Wild Misdirection

16th March 2013

Making Wildlife Appear Even More Wild

I consider myself pretty honest and straight-forward – both in business life and in personal life.

So you may wonder why I am writing an article about deception. Maybe this is too harsh a word – let’s just call it misdirection.

Let me explain. Often photographs tell only part of the story. If I am clever, I can photograph a tiger in a zoo by carefully orchestrating the background, lighting, angle and surroundings to make it feel that it was taken in the heart of the Bengal jungle. I might lead you to believe that I shoot for National Geographic.

Following are a few examples of how you might creatively use point of view (POV) to enhance your wildlife photography skills and put you in line for work at the nature magazines.


The blue heron on the left was standing across a shallow ravine about 50 feet from me. At that distance it was easy to capture him among his surrounding.

By kneeling down and zooming the lens, I was able to isolate his head and avoid the cluttered background in the above photo.


The lovely anhinga on the left was drying his wings on a nearby branch. Again the presence of the branches detract from the fine detail of the bird.

A few minutes of patience paid off. I was perfectly positioned to capture this bird as he became airborne. The trees in the background are blurred by the shallow depth of field. Overall, this photo gives me a better sense of wildness.


These wood storks in the left photo were very fond of the tree. But somehow photographing a flock of birds in the tree wasn’t the feeling I was seeking. By isolating a single bird using a longer focal length, I was able to maintain more of a sense of wildness.


Here’s a series of photos that show that these vicious looking alligators were actually in a tame part of the Everglades. The wood deck protects the visitors from all of these alligators.

Above, without the onlookers, the group of alligators appear in a more “wild” environment except for the inclusion of the wood railing in the foreground.

Left, I’ve again isolated the creature from the human elements. I think this method enhances the wildness factor.

Those of you who have already used photographic misdirection, please raise your hands!

Of course, creative point of view can be used for any kind of photography, not just wildlife. So get out there and change your point of view around.

Written by Arnie Lee
 
 


 
 

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